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The "A sense of history" banner. It is black with 6 icons featuring historic arts, including paintings, mosaics and sculptures. The text below reads: "Straight Road by Simon J. Cook"

For the past year as part of our column A Sense of History, Simon J. Cook has been looking at how Tolkien's writings on Beowulf, namely the lecture-turned-essay "Beowulf: The Monsters and the Critics," informs and is informed by his work on the legendarium that he was undertaking at the same time. Last month, he considered the crossing of ships from and back to the West. A familiar journey to fans of Tolkien's Middle-earth writings, a ship journey from and to the West also appears in Beowulf.

A ship-burial suggests that beyond the Shoreless Sea is hell, the realm of mortal shades in ancient English mythology. Tolkien reads the first ship of the exordium to Beowulf as ancient myth, the ship-burial as Anglo-Saxon art. The art breathes meaning into the myth, yet raises the uncomfortable thought that the good king came to his people out of death. Early in 1936, Tolkien penned an "Elvish myth" that told of a king who sailed the Straight Road, out of a mythical flat world and into the round world of history, and then died side by side with his Elvish friend, fighting Sauron in Mordor. This legendary appendage to The Fall of Númenor spells out Tolkien’s reading of the exordium, a connection that Simon explores in this month's A Sense of History article.

You can read Simon's article "Straight Road" here.

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